Mark Dann Recording
 
Music Production
Recording - Mixing
Mastering - Restoration 
 
New York City
& Woodstock, NY
(212) 941-7771
 
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MUSIC PRODUCTION
RECORDING & MIXING
-Studio Overview -
- Equipment List -
- Vinyl Record &
Analog Tape Restoration -
- Home Studio Services -
 
MASTERING
FOR CD & VINYL
  - Mastering Overview -
- Analog Mastering For CD -
- Mix Submission Guidelines -
- Pre-Mastering Listening Test -
- Web-Enhanced CDs -
- Artist & Client List -
 - Mixing Tips -
- Audio Samples -
 
 Photos - NYC
Photos - Woodstock
 
email the studio!
if the mail link above does not work:
Mark107 - at - aol.com
Mark Dann Recording
Mastering and Recording Studio
(212) 941-7771 - NYC USA -  email: Mark107 at aol.com
 
Pre-Mastering Listening Tests
 
Because one can only master what the mixes are, it's important that the mixes be as good as they can possibly be. Many people are working with mixing systems that allow for total recall (a mix can be recalled EXACTLY as it was, so incremental changes can be made). In these cases, issues that would be problematic in mastering can be more easily corrected simply by "tweaking" the existing mix. Sometimes issues can escape notice until carefully compared with other CDs.
 
I encourage clients to bring in a few of their favorite CDs for a quick listening test. Upon careful listening in a proper monitoring environment, we might discover some issues that if dealt with will produce a much better finished CD.
 
Some issues I see on a regular basis include:
  • buried vocals
  • vocals (or certain instruments) that are way too bright (or dull) compared to the rest of the mix
  • WAY too much compression
  • extreme muddiness in the bass region
  • certain critical instruments relatively inaudible (i.e. kick, bass, snare)
  • mid-range instruments (i.e. guitars) eq'd with too much low end, thereby obscuring the bass instruments
  • kick and bass loud on large speakers, yet inaudible on small speakers
Being able to correct these issues prior to actual mastering can make a huge difference in how the finished CD turns out. So I offer clients the opportunity to come in with their mixes and favorite CDs, and do a careful comparison on a proper monitoring system, before starting the actual work of mastering.